To make the Website as accessible as possible some issues can be encountered by different assistive technology as Please be aware that our efforts to maintain accessibility and usability are ongoing. The Web Content Accessibility Guidelines (WCAG), which also bring the Website into conformance with the Americans UsableNet Inc, a leading web accessibility consultant to help test, remediate and maintain our Website in-line with To accomplish this, Titelmedia has engaged To persons with disabilities including users of screen reader technology. Of its Website, Titelmedia strives to ensure that its Website services and content are accessible Titelmedia (Highsnobiety), is committed to facilitating and improving the accessibility and usability And for a country that’s nearest Supreme store is separated from it by 2000 miles of open ocean, they’re all dressed pretty well too. A tautly curated line-up performing against the stunning backdrop of Iceland’s snowy and mountainous coastline, the festival taps into that fascinating vision of post-millennial hip-hop: a generation of artists inspired by the urgent political climate we’re living in, and the new era of semi-ironic, Soundcloud-birthed MCs. Despite its small size, it still manages to create some of modern music’s most thought-provoking artists thanks, in part, to the fact its youth are so switched on to what’s happening both stateside and throughout the rest of Europe.Īrtists or fans, many of them show face at the city’s annual techno and hip-hop festival, Sónar Reykjavik. A remote island that’s barely any bigger than the state of Ohio, it’s home to just over 300,000 people a third of which live in its capital city, Reykjavik. Slews of memes and Reddit communities dedicated to sneakers aside, it’s played a key part in introducing those who live in more remote countries to the same subcultures and good music that those living in massive metropolitan cities do.Ĭase in point: Iceland.
It might seem like an oversaid statement, but it’s funny to actually consider how much we owe the internet.
0 kommentar(er)
